Another bookbinding throwback. I made this binding some ten years ago or so. It was my second attempt on cover design with leather inlays. The first try was much-much simpler — I should probably show it some other time.
This album is a collection of newspaper cutouts with cartoons by the Dutch artist Jo Spier. From 1924 to 1939, he worked in the Dutch newspaper De Telegraaf and authored a plethora of illustrations about everyday life.
These are paste papers from an early 20th-century edition of the German translation of Le déserteur, an opéra comique by the French composer Pierre-Alexandre Monsigny. Book from the collection of Leon Laserson.
Among other exciting things, I found in the last volume of the Dutch Printers Yearbook from 1911, was an article by Reinier Willem Petrus de Vries Jr. about a technique that "recently" attracted the attention of some bookbinders — starch marbling.
The book is another find at the book market in the Hague. The Life of Willem III (Het Leven van Willem III) by Frans Bührmann was published in Amsterdam in 1874. But I'm not sure whether the endpapers come from the same time.
A Bibliophile’s Ex-Libris for 37.000 Books – The Bookplate of Sergey Vavilov with an Engraving of Félix Vallotton
I often find curious things just browsing tomes in old books stores. Here is an excellent example. This bookplate on a vintage book about engraving techniques of the 19th century momentarily attracted my attention.
I planned to upload some English-language book this time. However, I stumbled upon an article about bookplates in the April'1902 issue of the Russian magazine "Искусство печати" (Printing Art,) and decided I have to share it.
This isn't really a book. No, that's not right. It's a hardcover binding, so it's definitely a book. That's a convolute of multiple articles taken from various magazines published on the brink of the 20th century. And it's about bookplates.