This interview is a part of a series produced by Anna Markova, book bindings' historian and rare book librarian at the Pushkin State Museum of Fine Arts (Moscow.) The series is dedicated to book artisans of different kinds.
I've been looking for some solution to protect items we sell at our shop during shipping. There were a couple of times when corners cutting jigs and some other items were broken during delivery. And here's my handcrafted solution.
It's time to share this month's digitized books. Both of them will be dedicated to illumination and both were published in the middle of the 19th century. Today's book is A Guide to Beginners in the Art of Illumination by A. H. Warren.
It's time to announce a major addition to our section punching tools collection. Major as in huge, because this tool is massive! We've been quiet during the winter holidays. But now it's time to share something special with you!
Aleksei Kravchenko was a Russian painter, illustrator, draughtsman, and printmaker. Bookplates are a lesser-known part of his legacy. Still, some of them are quite impressive.
I often get asked: what is the quality of the scans made with our book scanning system? Here are some samples made with my smartphone Samsung Galaxy S9. In the samples, the right part is approximately 4x magnified.
Time to discuss some of the inspiring bookbinding projects of November. As usual, the projects were chosen for the post are quite diverse, and include many things from fine and design binding to boxmaking. Some of them are quite accessible even for beginners.
Welcome to Arta Cărții! Or, at least that's how the workshop of Mihai Vârtejaru looked like almost three years ago. I planned to share these photos for quite a long time, and when I revisited Mihai's studio, everything was moved.work
Another bookbinding throwback. I made this binding some ten years ago or so. It was my second attempt on cover design with leather inlays. The first try was much-much simpler — I should probably show it some other time.
I'm sure you know this feeling when you see something that really connects with you but are uncertain whether you are ready to spend money on it. That's precisely what happened to me with one of Luise Blackbird's prints.