This episode of our Bookish Talk is a bit unusual because we have a guest. Rachel Ward-Sale is an award-winning bookbinder with many years of experience and the current president of the Designer Bookbinders.
Every year six Designer Bookbinders’ Fellows each bind one of the six titles shortlisted for the Booker Prize for Fiction. Designed and completed in 4-5 weeks, these bindings are presented to the authors on the night of the Booker award ceremony.
In the previous episodes, we only had one guest not with a bookish profession but with a bookish hobby. Ivan Gulkov will be the second of our guests of that type. He's a hobbyist printer and in the first part of our talk with him, we discussed the history of printing and what it is to be a hobbyist printer in the modern world and how it all started in the late 19th century.
During this Bookish Talk, we discuss the Basler Papiermühle -- a late medieval papermill turned paper, printing, and bookbinding museum. Stepan visited this museum a couple of years ago. Still, it should give a good sense of what it looks and feels like.
This is the second part of our talk with Brenda Gallagher, a graphic designer and bookbinder from Boulder, Colorado. In this video, she shows some of her bindings and invites us to see her bookbinding workshop and printing studio.
We discuss two objects from my collection. This book and... something else. Both of them have something in common: after I got them, I searched the internet and found them being sold on auctions in the previous years.
I first met Brenda at the American Academy of Bookbinding in 2015. At that moment, she already had some 20 years of experience in bookbinding. If you add a strong background in graphic design, it's not hard to imagine that the result can be pretty impressive.
Often you can hear from a bookbinder or any other book artisan that they have a small workshop and what are the pros and cons of having a small working space. Well, here's a 1.5 square meter printing house.
We talk to Kalin Daskalov - Stopan - a bookbinder from Bulgaria who tries to create the modern style of Bulgarian bindings from scratch. His works are heavily influenced by the folk art of the country. But you can also see his personal style.
This short video shows how iBookBinding's section punching cradle for bookbinders is used. This is the standard version with digits imprinted in a contrast color for better visibility. However, the same principle applies to all versions of our punching tools.
The Illuminator. Containing All the Parts of The Illuminators Magazine & Completing the Subject (1862)
Today we share this special issue of The Illuminators' Magazine from 1862. That's a beautiful and informative edition that includes 29 amazing plates (chromolithographs) showcasing different types of illumination.
Is it wrong to buy a book at a low price when you know its real (high) value? How do the street book sales in Bucharest and Sofia look like? What's special about the book market in the Hague?
The second part of the episode with Stepan Chizhov acting as a guest is dedicated to more technical aspects of how iBookBinding works. We talk some nerdy stuff about 3d-printing in general and about making money with 3d-printing.
This is the beginning of several talks we dedicated to antique book markets in different European countries and cities. We start with some book markets in Moscow and the Netherlands (mainly the market in The Hague).
iBB Podcast #9.1 – Stepan Chizhov – Origins, Studying at AAB, and Making & Selling Tools to Bookbinders
This time Pavel decided to snatch the role of the main host and made me the guest of iBookBinding's podcast. We talk about how my interest in books and bookbinding began, study at the AAB, and the process of making tools for bookbinders.