We've discussed the collection on our live stream before, but this time we decided to have a professional comment on what is exhibited there. There are several amazing professionals working with the printing equipment in the Museum of Industry, and Armina Ghazaryan is one of them.
German print-makers in the fifteenth and sixteenth centuries worked in wonderful colors across many mediums, from works of art to missals to wallpaper. Their work is explored in detail in a new publication, Early Colour Printing: German Renaissance Woodcuts at the British Museum by Dr. Elizabeth Savage
Hong Kong printmakers quietly documented everyday life in the city for decades. Juxtaposed with printmaking through the decades and into the 21st century, their work is now the subject of two ongoing exhibitions at the Hong Kong Heritage Museum
The second part of our talk with Ivan is suddenly much shorter compared to our standard episodes. But I'm sure it will be interesting to watch anyway! Our guest shows his tabletop press here and shows many of his prints.
In the previous episodes, we only had one guest not with a bookish profession but with a bookish hobby. Ivan Gulkov will be the second of our guests of that type. He's a hobbyist printer and in the first part of our talk with him, we discussed the history of printing and what it is to be a hobbyist printer in the modern world and how it all started in the late 19th century.
This is the second part of our talk with Brenda Gallagher, a graphic designer and bookbinder from Boulder, Colorado. In this video, she shows some of her bindings and invites us to see her bookbinding workshop and printing studio.
We discuss two objects from my collection. This book and... something else. Both of them have something in common: after I got them, I searched the internet and found them being sold on auctions in the previous years.
Often you can hear from a bookbinder or any other book artisan that they have a small workshop and what are the pros and cons of having a small working space. Well, here's a 1.5 square meter printing house.
To give our community more opportunities to learn something about book arts and book history, we decided to open the part of our digitized collection that before was shared only with our patrons.
I'm sure you know this feeling when you see something that really connects with you but are uncertain whether you are ready to spend money on it. That's precisely what happened to me with one of Luise Blackbird's prints.
This vintage Russian magazine about printing was published for only two years, but it already gave me a lot of insights into the epoch. This time we share the second issue of the first year of publishing: December 1901.
Check these amazing initials that book restorer Eliane Gomes from Nautilus Boekbinderij found in a Bible that was printed in 1690 in the Hague. Interestingly printers seemingly didn't have a matching initial "V"!
This vintage Russian magazine about printing was published for only two years, but it already gave me a lot of insights into the epoch — this time we share the first volume that was published in November 1901.