This is the second part of our talk with Brenda Gallagher, a graphic designer and bookbinder from Boulder, Colorado. In this video, she shows some of her bindings and invites us to see her bookbinding workshop and printing studio.
Making a Book
We discuss two objects from my collection. This book and... something else. Both of them have something in common: after I got them, I searched the internet and found them being sold on auctions in the previous years.
The Illuminator. Containing All the Parts of The Illuminators Magazine & Completing the Subject (1862)
Today we share this special issue of The Illuminators' Magazine from 1862. That's a beautiful and informative edition that includes 29 amazing plates (chromolithographs) showcasing different types of illumination.
It's time to share this month's digitized books. Both of them will be dedicated to illumination and both were published in the middle of the 19th century. Today's book is A Guide to Beginners in the Art of Illumination by A. H. Warren.
There's this whole school of visual effects in movies that goes for practical effects rather than using CGI. Guess what, you can do that too. Robert Ontell, a young 3d-printing champion from California, made a spooky book with an animatronic eye!
Right opposite the entrance to our quarter in Leiden there's an old books shop. In the window passers by can see lots of book-earrings with marbled covers.
Right from the beginning, the authors make it clear who is the main audience of the book. Designers and production managers – people who decide how the final product should look like. My own perspective is quite different. Usually, I make all decisions regarding book development on my own, taking the client’s input into account. From cover design to book format, from binding style to brand of paper used to make a book block. Continue reading →
This January in the capital city of Estonia Alexander Vasin and Natalia Velchinskaya have produced a new course – Tallinn Laboratoria. Alexander and Natalia are creators of many typography and book design courses, both in Moscow and abroad. This time they’ve brought a group of students to study in a local print house Labora Tallinna Paber. Continue reading →
Every month I add new blogs to my feed. It is really inspiring to see all these fine people writing about bookbinding and book conservation tricks, their projects and thoughts. At the same moment, it becomes harder to filter links for our monthly digest — there is just too much I’d like to share with you! Continue reading →
Last Sunday I’ve tried an unusual role. For 18 months, since my studying days at the American Academy of Bookbinding in July 2015, I’ve been a teacher. Now, however, I became a student once again. Another important thing was that there was a new teacher in my own workshop — a gold tooling and book restoration master Eduard Illarionov. Continue reading →